Ron Mueck is an Australian artist whose sculptures realistically
replicate every detail of the human body, but he exaggerates scale to create incredibly
striking visual images. With no formal art training, Mueck is self taught and honed
his skills in the world of model making, special effects, and animatronics. He
has since moved into the fine arts and has started creating silicon or
fiberglass and acrylic sculptures cast from clay models. I noticed that his
work is focused around different stages in life; encompassing birth, youth, middle
age, the elderly, and death. Nearly all of his pieces are of human subjects and
they’re all in an unexpected scale. His style is very specific in that respect
and I find it incredibly fascinating how he constructs these larger than life
sculptures.
Mask II, 2002, Mixed media; 30 3/8 x 46 1/2 x 33 1/2 in. |
With a heavy emphasis placed on realism, Mueck pays
attention to every minute detail in his work. Viewers feel compelled to come
closer and examine the hair, veins, and even blemishes on his pieces. He even
went so far as to use his own hair in one of his sculptures entitled “Dead Dad”,
a one half size replica of his deceased father’s corpse. The piece that
originally caught my eye and excited me to learn more about Mueck was his piece
entitled “Mask II”, a larger than life view of his sleeping head lying on its
side. The naturalism completely blew me away, and then when I saw a picture
that put its size into perspective I was even more impressed. The level of time
and attention to detail it must take to make a piece like that is phenomenal.
Untitled (Big Man), 2000.
Pigmented polyester resin on fiberglass, 81 x 46.25 x 82.25 in. |
Pregnant Woman, 2002.Pigmented polyester resin on fiberglass, 252 cm. high. |
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